The nicest-looking AWI game I have ever played in

My most memorable American War of Independence wargame took place nearly 20 years ago at the Wellington Warlords’ (the wargaming club of New Zealand’s capital city) annual wargaming competition, ‘Call to Arms’.

At the 2002 event, one of the demo games at ‘Call to Arms’ was a refight of the Battle of Guilford Courthouse, put on by three of the Friday Night Fusiliers – Paul Crouch (3rd from left), Steve Sands (far left) and [a very young-looking!] myself (2nd from left).

A few years after this game, Paul moved to Australia and sold all the wonderful troops in these photos. However, I heard from him recently that he has decided to re-do this project, buying up and painting the troops all over again. He has set up the Sons of Liberty blog to follow his progress.

In talking with Paul, he told me he still has hardcopy photos of the original 2002 game. So I suggested he copy the photos so we could look back at what I think was one of the finest AWI wargames ever, even though it took place nearly nearly two decades ago!

The original Battle of Guilford Courthouse took place on 15 March 1781, between General Cornwallis’s 2,200 British troops and the 4,500 Americans under General Greene.

In the above photo, the British redcoats march out of camp on their way to do battle against the Americans. In the foreground are two cannons and some of their Hessian allies.

The figures and the scenery used in this game all belonged to Paul Crouch. In the main, the figures were by Front Rank, but there were also a few Dixons and Foundry figures.

Paul, Steve and myself were all firm “visual” wargamers, rather than “competitive” or “simulation” players. For us, the main thing was the game had to look good – to be a moving diorama, in effect.

A closeup of the British advance. You can almost hear the drums beating and the fifes trilling The British Grenadier! Behind the redcoats is a battalion of Loyalists, wearing green coats and white trimmed hats.

The British flags were by GMB, who made the best flags around. Paul made the Loyalist flags himself. Note how the flags are realistically shaped – too often the effect of such beautiful flags is spoiled by having them standing out straight like boards.

On the left flank of the British advance are some British light troops, some German Jägers, and even a few Indians.

Paul’s bases were beautifully done – each base was like a mini-diorama. And his figure painting was absolutely exquisite. He used a black undercoat technique and acrylic paints.

The British advance steadily across the clearing towards the first fence-line, where a line of Americans can be see waiting. Behind them, way off in the distance, are more troops in front of the Guilford Courthouse.

The base cloth we used really set off the figures well. It was green baize, but had been sprayed with a mixture of colours. Under the baize was an old carpet which had been laid over some pieces of wood, giving the effect of slightly undulating ground.

You can also see this same photo at the top of this posting, but retouched to make it look a little more real.

Nervous American militia await the redcoats behind a typical switchback railing fence.

These are not the steadiest of troops. But if they can get off a good volley or two before they run, they might slow the steady British advance.

Steve Sands was busy for several nights producing much of the fencing used in our battle.

One of the features that really made this game was the fact that all our battalions were big (at a time when 12-figure units were the popular standard). Each unit had at least six bases of around three or four figures each. Anything smaller does not look anywhere near as good.

The British have forced back the militia through a line of trees. The militia stop, rally bravely, and try to hold the next fence-line. A British and Hessian volley rips through the air.

In the foregound is the last line of American defence. But these troops are no mere militia. These are the regular American infantry, the Continentals. They’re made of sterner stuff, and the British might be worn down by the sniping of the militia before they get to Continentals’ line.

A close-up of the British and Hessian volley. We were using a very simple set of rules called Gentleman Johnny’s War, which made calculating the effect of volleys such as this very easy.

You can never have enough trees in a demo game, especially one set in America. Paul had a huge amount of Woodland Scenics trees, which really looked good on the table.

For the sake of the simplicity, it was decided that trees only interrupted visibility, but didn’t hinder troop movements.

One of the British units charges towards the militia.

By sheer coincidence all the figures in this photo are posed perfectly, as if this was a set-up shot. The charging infantry are in a running pose, while those firing are pointing their muskets. Behind the fence, the militia take pot-shots.

No, the militia can’t stand yet another British volley, so they turn tail and they’re off. But, just as in the movie The Patriot, have they done enough to whittle down the British before they come to grips with the waiting Continentals in the foreground?

Our first sight of the magnificent Architectural Heritage model of the Guilford Courthouse itself. This is a miniature of the actual building. If you look very carefully, you’ll even see the judge standing in the doorway, no doubt encouraging the steady Continentals lined against the fences.

Paul always liked to dot his games with little bits of scenery such as the haystacks you can see in the picture. These were for visual appearance only, and didn’t effect play at all. They were simply moved out of the way when troops passed through.

From behind the Continental lines, you can see the last few militia, and way off in the distance a Hessian flag denotes the British advance.

During March in America, there wouldn’t really have been autumn (‘fall’) trees! But the occasional touch of autumn colours in the trees just gave a lift to the table appearance.

The white house in the far background was hand-made by Paul.

The judge looks on as the battle rages between the British and the Continentals. In the end, the British manage to puncture the Continental centre and creep round their left, so the Americans have to yield the field, just as happened in real life.

Note the barricade of barrels in the foreground – another nice scenic touch.

You would think that General Cornwallis must be feeling pretty pleased with himself. However, in real life the battle cost him 532 casualties against the Americans’ 260.

So instead of pursuing his defeated enemy, he retired to the coast. If this game had been part of a campaign, the result might have been pretty much the same.

There is more fun with scenics in the background – an ammunition dump and wagons to bring powder and balls up to the guns.

One of the most asked-about units in the game, but one which never really came into play, was Tarleton’s Legion. This was because the main protagonist in The Patriot was apparently modelled on Tarleton (though one cannot say that the film representation was at all accurate!).

In the real battle the cavalry did get to grips, but in the game the day was won before they even got onto the scene.

So, just as in real-life, a marginal British win. But more importantly for the Friday Night Fusiliers, a win for presenting the sheer beauty of hundreds of exquisitely painted figures marching and fighting across a gorgeously terrained board!

A special thanks to Wayne Stack, a fellow Fusilier, who took all these wonderful photos as part of an assignment for a police photographer’s course he was on at the time! He was enthusiastic when I told him that Paul still had his photos, and readily gave us permission to publish them here.

I hope you have enjoyed looking back at this spectacular game, and that you’ll follow Paul’s progress on his blog as he recreates his exquisite armies.

The birth of the Barryat of Lyndonia

My first exposure to the hobby of wargaming was as a schoolboy back in the 1960s, when I stumbled across Brigadier Peter Young’s and Lt Colonel James Lawford’s book Charge! Or how to play wargames in my local library.

I still remember poring over the pictures in the book, totally fascinated by the 18th century era, the lifelike figures and even the stylised miniature trees.

But when I did start eventually playing wargames, it wasn’t in that wonderful 18th century period after all, because due to lack of finance and the poor availability of wargaming figures in New Zealand, my gaming was pretty much restricted to Airfix plastics and the occasional lead Minifigs figures.

The nearest I could get to these eighteenth century armies were the American War of Independence figures put our by Airfix. But they just didn’t quite capture the rococo style and flair of the uniforms of the European wars of the mid-century, that were so much part of the reason I loved the illustration in Young and Lawford’s book.  

It wasn’t till many years later that I discovered a range of relatively cheap 30mm plastic figures in the United Kingdom made by a company called Spencer-Smith. In fact, some of these very same figures featured in the illustrations in the book I so admired.

I don’t recall where I first heard about this range – possibly in an advertisement in Military Modelling magazine. But I soon sent away an order, and eventually received a padded paper envelope full of the brown soft plastic figures.

Some time round that period I made a trip to Europe, and was lucky enough to be able to fit in a visit to the Bavarian Army Museum in Ingolstadt. There I saw a huge diorama of the Battle of Leuthen, made up of thousands of flat figures.

Amongst all the white-coated Austrians in the diorama, my eye was caught by the light blue lozenged flags of the Bavarians. This, along with the fact that my uncle was Bavarian, was enough to decide me to paint up my Spencer-Smith figures as a Bavarian Electoral Army.

I still have them, but after nearly half a century the plastic has become very brittle, so they never see the gaming table anymore.

I wonder if this brittleness might have anything to do with temperature variations, as I painted some of these troops whilst working in Antarctica for a season (making them surely the southern-most wargames army in the world).

My next splurge into the period was after seeing my friend Paul Crouch’s American War of Independence armies. Seeing his wonderfully painted figures drew me back into the hobby after a 20-year pause for family and work commitments. 

I was so entranced with their somewhat exaggerated chunky style, which I felt had more ‘presence’ than the slimmer plastic ranges I had been used to up till then.

So I immediately started building an army myself, this time going for 18th century French for no other reason than that they seemed to have the most colourful range of uniforms.

My 18th century French army grew, and I was very proud of it. But much as I loved my figures, there was always just something about them that didn’t quite capture the memory of Charge! Or how to play wargames.

I eventually realised it was a very simple thing – I couldn’t really see the breeches!  Nothing kinky there … it’s just that I think coloured breeches are what set the uniforms of the mid-18th century apart from the later part of the century.  But with the ‘chunky’ sculpting style of the figures I had been buying, the coloured breeches were hard to see.

Don’t get me wrong, I still love the ‘chunky’ style, and my French remain one of my favourite armies. It is just that they didn’t match my childhood memories of this particular book.

Then a few years ago I finally found my nirvana of 18th century figures – Minden Miniatures.  Here at last was a range of exquisitely sculpted slender figures.  And you could see the breeches!

When I first saw pictures of these figures on a website, the years just rolled back and I felt as though I was once more poring over those illustrations in Charge! 

So I decided to start painting a brand new eighteenth century project – but whatever army was I going to collect? French again? British? Prussian?

Besides Charge! Or how to play wargames there was another reason for my love for the 18th century. It was a 1975 period drama film by Stanley Kubrick, based on an 1844 novel by William Makepeace Thackeray.

When I first saw Barry Lyndon at the cinema, I was enchanted. Inspired by painters such as Thomas Gainsborough and William Hogarth, the film had a beautiful, painterly look that transported me right into the 18th century.

Barry Lyndon tells the story of a fictional 18th century Irish rogue and opportunist who marries a rich widow to climb the social ladder and assume her late husband’s aristocratic position, before it all eventually unravels and he ends up back where he started. During the story he joins the British army, and later the Prussians, and fights the French.

When I first saw the Minden Miniatures figures, they not only reminded me of Charge! Or how to play wargames, but also of the military scenes in Barry Lyndon. Wouldn’t it be great, I thought, to recreate one of the regiments from the movie. But, again, for which army?

Then it came to me why not make up a completely imaginary country (known in wargaming as an ‘imagi-nation’) that hires units from any European country it desires? This way I could reproduce all the regiments from the movie – British, Prussian and French – and combine them into one army!   

And so a new state was born: the Barrayat of Lyndonia. Whilst this might sound a weird name for a country, it’s no worse than the real-life Banat of Temesvár, part of the Austro-Hungarian empire!

Go to Part 2 of this series on the army of the Barryat of Lyndonia, based in part on an article originally published in Wargames Illustrated #385.

On Parade! Eighteenth century supply train and civilians


An army marches on its stomach, so they say. Thus no army is complete without its supply train. In the final installment of this inspection parade of my French army, let’s look at the supply train consisting of these four carts. And we’ll finish with some eighteenth century civilians.


On the left is a four-wheeled ammunition wagon. Front Rank offer this with two different types of top – the rounded wicker lid as shown above, or the wooden one in the picture below. 

On the right is a smaller ammunition cart drawn by one horse. It also has a wicker lid. The soldier walking alongside is in his red waistcoat, having removed his white coat. He is actually a French and Indian Wars miniature, with a hatchet in his belt.


The supply wagon shown on the left is advertised in the Front Rank catalogue as a medieval cart. But I thought it would be totally suitable for the eighteenth century. I’ve added some sacks as cargo. The civilian driver is also by Front Rank, but I understand is quite an early product in their range – thus the rather large Thunderbirds-style head!

On the right is the same four-wheeled ammunition cart we saw in the previous picture, but this time with the wooden top. I was particularly pleased with the way the oil-painted horses came out.

For the French army, I have since learned that strictly speaking the supply train wagons should be painted red, rather than left in natural wood as I have done them.


My biggest problem with these carts, especially those drawn by two horses, was making the traces for the horses to pull the wagons. Front Rank supplied some bendable wire for this purpose, but in the end I used embroidery cotton.

You’ll note that I made the bases look like roads – grass verges, dirt tracks on either side of a shingle centre-line. This was all done with real sand and crushed shell, along with Games Workshop static grass.


Battles during the eighteenth century were sometimes viewed by civilian spectators – though this could turn nasty if the side they were supporting lost the battle!

Back in 2006 I received a few figures from David Wilson, owner of Willie France, who was restoring the old 30mm Willie range. These were apparently the same figures that were used by Peter Young in his iconic book Charge! or How to Play Wargames.

The original Willie sculptor, Edward Suren, started his production in 1964, specialising mainly in the eighteenth century, but covering ranges from the Romans to the Franco Prussian War.

David told me that these classic figures were born of sculptor Suren’s enthusiasm for lifelike military figures full of dash and movement, whilst respecting anatomy.

“This gives the figures their slender, willowy style,” he said, “unlike modern large, dumpy figures overburdened with detail which one would not see at a distance on a real human being.”


The samples I received were three women, and a number of officers.  The officers were intended to hold separately-supplied weapons such as halberds or swords – but I thought they looked great empty-handed in the pose of ‘making a leg’ to the women.


David’s reintroduced Willie range also had this rather homely running women in déshabillé. You’ll see her in the background of several of my photos, perhaps trying to catch up with an errant beau!

At the time David had a huge list of mainly 18th century 30mm figures that he planned to gradually add to the  restored range. Some of the promised figures made very enticing reading: two hunt scenes, complete with hunting dogs and a stag or fox; various peasant women; in camp characters; the Irish Brigade charging; a highlander on a windy day (the mind boggles!) and many of the more standard poses for armies of the 18th century period.

But unfortunately I can’t find what happened to David Wilson and his 2006 plans to reintroduce the Willie range. Perhaps one of my readers who knows can add a comment to this posting?


I’ve also got this lovely miniature by Front Rank of an old soldier, still wearing part of his old uniform.

That brings the inspection parades of my French army to a close. Next time in On Parade! we’ll move to a totally different army from my wargaming collection. I haven’t decided which period yet, but it could perhaps be samurai, pirates, WW2 French or Dutch, the Wild West … or something else. Who knows! 

On parade! Eighteenth century French artillery


The guns in my French army, all made by Front Rank Figurines, are wonderfully detailed models that were a joy to paint.

Jean-Florent de Vallière (Director-General of France’s artillery) reduced the pieces in use to a set number of types of cannon and mortars. He also recruited Jean Maritz, who had designed and built a water-powered horizontal cannon-boring machine in Geneva. By 1732 the first Maritz cannon boring machine was operational in the foundry at Lyon, boring out the Model 1732 system equipment. These standardised pieces became known as the “Vallière System”. 

Prior to the outbreak of the Seven Years War, the French army was equipped with the best artillery in Europe. But they were to be overtaken by Austria with their Model 1753 Liechtenstein system.    Source: Kronoskaf


French gun carriages were initially painted red in the eighteenth century. But some time after the Vallière reform of 1732, the gun carriages were painted blue to distinguish them from the equipment of the supply train (caissons and carts), painted brick red. But for purely aesthetic reasons I preferred the red colour, so that is the way I painted them! Source: Kronskaf


The gunners are nicely detailed figures. I could only fit three on each base, so I gave my other two gunners (an officer and a worker with a wheelbarrow) their own small vignette base.


I also painted a light gun for service in the American War of Independence with the Volontaires Étrangers de la Marine (commonly known as ‘Lauzun’s Legion’).

The Legion’s gunners apparently wore the same uniform as regular French artillery, but with yellow cuffs and lapels instead of red. However, when my French AWI project went on hold, I repainted the cuffs and lapels red to fit them in with my other Royal Artillery figures.

So that’s my French artillery. In the last of this series of inspections of my French army, we’ll review the supply train and some civilians. And don’t forget to visit my other On Parade! postings, in which I’m gradually doing inspection parades of every army in my wargaming collection.

On parade! Colourful French cavalry of the 18th century


My inspection parade of all the armies in my wargaming collection continues with French cavalry of the mid-eighteenth century. They’re certainly colourful en masse!

These were all painted in the very early 2000s, so represent my level of painting at the time. But despite the fairly crude shading and detail, they do look really good on the table, and have in fact stood the test of time quite well.


As with most of my armies, the basing hasn’t been done to align to any particular rules. I work the other way round – I adapt rules to suit my basing!





First up are the Colonel-General Dragoons. Dragoons were basically mounted infantry. Thus these Front Rank figures, with their boot-gaiters (‘bottines’), short red coats and muskets really look the part.

French dragoons were equipped with tools, such as axes, bill-hooks or saws, instead of off-side holsters, and these are faithfully represented on these models.

I particularly like the way Front Rank have posed the officer on the far end, looking to the dressing of his line. The drummer is also a nicely detailed figure, carrying his infantry-style drum.

I used the Nec Pluribus Impar website for painting details, along with the Funcken uniform books.

The flag was also from the Nec Pluribus Impar website, suitably reduced in my Corel Paint graphics programme, and printed out.






The Cuirassiers du Roi, raised in 1653, were one of the few French cavalry regiments allowed to wear bearskin caps. They also wore armoured breast and back plates, lined inside with red cloth.

My source for painting these figures was the wonderful illustration in John Mollo’s Uniforms of the Seven Years War 1756-63.

These Front Rank models were my first attempt at painting metal cavalry figures. I found it quite finicky to paint all that red cloth lining, piped in white, that sticks out around the cuirass.

I used oil-paints for the horses, which went well – apart from one heart-stopping moment when I was applying the varnish and the oil-painted surface bubbled badly. Fortunately I was able to smooth it down, and it still looks OK eighteen years later!

The flag is a scanned black-and-white illustration from a Pengel & Hurt publication, which I then coloured using my Corel Paint graphics programme.






I got these fur-hatted cavalry figures wearing cuirasses in a bulk deal. To ensure a variety of uniform colours in my army, I was determined that these figures would wear white coats. Out of the limited number of French units that wore white coats and fur hats, I decided on the Wurtemberg Cavalry Regiment, a German unit in French pay.

The previously-mentioned Cuirassiers du Roi were the only French cavalry to wear the front and back plates that are depicted on these figures, but I already had a unit of them. Other cavalry, such as the Wurtemberg regiment, were only issued with front plates, but apparently seldom wore them.

Therefore I painstakingly filed the back plates off each figure. The front plates were too difficult to remove, so I decided this was going to be one of those “seldom” occasions when their plates would be worn! Even this is not strictly correct, as the cuirass was worn under the coat, not on top. But this is the best I could do with the figures available.

The flag posed another problem, as I could not find any pictures of the real flag. In the end I made up a design based on a written description in the publication by Pengel & Hurt. I even managed to add a white cravat made from toilet paper!






These cavalry figures on galloping horses were amongst a bulk lot of Front Rank figures that I bought. All my other mounted units were on standing or walking horses, so it was a change to paint up these much more animated figures, and I was very pleased with the result.

This regiment was owned by the powerful Condé family, and so its musicians wore the family’s colours instead of the regular French royal livery. A picture of the mounted drummer in the Osprey book Louis XV’s Cavalry shows the yellow-buff and red Condé livery, with which I have painted the trumpeter in my unit.

Observant readers might have noticed that some of the swords are longer than others – this is because apparently these figures were a mix of older and newer Front Rank castings.

For the flag, the only information I had at that time was a written description, which I had to use my imagination to interpret in Corel Paint. The cross-hatched design on the yellow-buff side of the flag is a symbolic funeral pyre.


As it turned out, I wasn’t too far off in my interpretation of the Condé flag. After I had done my flag, I came across a 1771 print which showed the flags of the French infantry and cavalry regiments. You can see the funeral pyre on the Condé flag quite clearly. The original print has faded considerably, so the yellow-buff colour has changed to white.



So that’s my French cavalry. Next time we’ll look at the artillery. And don’t forget to visit my other On Parade! postings, in which I’m gradually doing inspection parades of every army in my wargaming collection.


On parade: 18th century French light infantry

Continuing in our inspection parade of my eighteenth-century French army, we now come to the light troops.

After a period of preoccupation with massed fire, light troops were gradually being re-incorporated into armies during this period. Marshal Saxe considered the aimed fire of light troops as being the only effective fire. There were always parts of the battlefield, woods, copses, hedges and buildings where they could be used to good effect.

So of course my miniature French army had to have at least a couple of these pioneering units.




The Chasseurs de Fischer were established in 1743 by a former officer’s valet who made a reputation for himself guiding other valets in and out of the islands of the Moldau River to pasture the officers’ horses.


The unusual cap worn by these troops is called a mirleton, more commonly worn by hussars than infantry during this period.


The officer wears a fur trimmed jacket. This is how he is modelled by Front Rank, but I believe the fur trim was worn by another light troop unit, the Arquebusiers de Grassin, not the Chasseurs de Fischer, so my officer might not be strictly accurate.




These light troops wear an odd type of helmet, called a ‘schomberg’. This makes quite an interesting change from the tricornes mainly worn by soldiers of this period.


According to my references, the Clermont-Prince’s coats were coloured ‘ventre de biche’. A request to French-speakers revealed this to translate as “doe’s belly”. I was told this colour was a kind of light pinkish white, so that is what I used to painted my troops’ coats.

However, I found out later that pinkish-white is incorrect – it should be a shade of ochre. Let’s say that their coats are very faded!


I particularly like Front Rank’s officer figure, with his voluminous frock-coat contrasting with his strange helmet, and wielding his sharp-looking sword.

That brings us to the end of my French infantry. My next posting will cover the cavalry. And don’t forget to visit my other On Parade! postings, in which I’m gradually doing inspection parades of every army in my wargaming collection.

On parade! 18th century French guards and grenadiers

Having previous inspected the French and foreign infantry in my eighteenth century French army, we now come to the guards and grenadiers.




These Gardes Françaises were the first Front Rank figurines that I ever painted. I still recall how surprised I was at how easy the job was made by the fine sculpting of the models.


The Gardes Françaises were part of the King’s Royal Household. Their uniform was quite ornate, compared to normal infantry uniforms. For instance, the belt slung over the soldiers’ left shoulders was lined with lace.


I have always admired Phillipotteaux’s famous painting of the Gardes Françaises at the Battle of Fontenoy (see my more detailed posting about this painting), so I determined to paint my soldiers as shown in Phillipotteaux’s work, rather than from other sources which differ somewhat.


The flags for my minature regiment are by GMB Designs. I added white cravattes made from paper. All French regiments had these tied to the top of their flag staffs.

Note also that I painted the officers with red stockings rather than white gaiters (as shown in the Phillipotteaux painting).

My Gardes Françaises regiment can also change identity if required! If there is no call for guards in a game, then I can easily change the flags to those of the Ecossais Royal (Royal Scots). The uniforms of these two units were vaguely similar, so they can pass as one another near enough.




“As fierce and terrible fellows as I ever saw”, remarked a British eye-witness about the Grenadiers de France at the Battle of Minden in 1759.

The four brigades of Grenadiers de France were composed of the former elite companies from several disbanded regiments. Their blue and red uniforms with the black bearskin hats give them an imposing appearance.


In the early 2000s I obtained quite a few miscellaneous Front Rank grenadier figures in a bulk second-hand deal, so it was only natural to paint them up as this very distinctive unit.

My next posting will cover the light infantry. And don’t forget to visit my other On Parade! postings, in which I’m gradually doing inspection parades of every army in my wargaming collection.


On parade! Foreign regiments of the 18th century French army

The French army included quite a few foreign troops, amongst them Swiss, Germans, Swedes, Scots, Italians, Netherlanders, and, of course, the famous Irish ‘Wild Geese’.




I wanted to portray one of the Irish red-coat ‘Wild Geese’ regiments in my army, and so chose the Regiment Lally, which was renowned for its service in India. I liked the combination of red with green cuffs.

I had never really used the black undercoat method of painting before, but found it worked very effectively. The red coats  were quite difficult to do, however, as the red paint remained quite dull over the black undercoat.

The flags are by GMB Designs flags.  If I recall correctly, I reversed the colours of the quadrants in GMB’s version of the flag, which I felt were wrong.


Rudyard Kipling wrote a poem about the Irish Guards in the British Army of the First World war. This poem harks back to the days of the Irish Brigade in French service, even mentioning the colonel of the Regiment Lally:

WE’RE not so old in the Army List,
But we’re not so young at our trade.
For we had the honour at Fontenoy
Of meeting the Guards’ Brigade.
‘Twas Lally, Dillon, Bulkeley, Clare,
And Lee that led us then,
And after a hundred and seventy years
We’re fighting for France again!

Old Days! The wild geese are flighting,
Head to the storm as they faced it before!
For where there are Irish there’s bound to be fighting,
And when there’s no fighting, it’s Ireland no more!
Ireland no more!

The fashion’s all for khaki now,
But once through France we went
Full-dressed in scarlet Army cloth,
The English – left at Ghent.
They’re fighting on our side today
But, before they changed their clothes,
The half of Europe knew our fame,
As all of Ireland knows!

Old Days! The wild geese are flying,
Head to the storm as they faced it before!
For where there are Irish there’s memory undying.
And when we forget, it is Ireland no more!
Ireland no more!

From Barry Wood to Gouzeaucourt,
From Boyne to Pilkem Ridge,
The ancient days come back no more
Than water under the bridge.
But the bridge it stands and the water runs
As red as yesterday,
And the Irish move to the sound of the guns
Like salmon to the sea.

Old Days! The wild geese are ranging.
Head to the storm as they faced it before!
For where there are Irish their hearts are unchanging,
And when they are changed, it is Ireland no more!
Ireland no more!

We’re not so old in the Army List,
But we’re not so new in the ring,
For we carried our packs with Marshal Saxe
When Louis was our King.
But Douglas Haig’s our Marshal now
And we’re King George’s men,
And after one hundred and seventy years
We’re fighting for France again!
Ah, France! And did we stand by you,
When life was made splendid with gifts and rewards?
Ah, France! And will we deny you
In the hour of your agony, Mother of Swords?

Old Days! The wild geese are flighting,
Head to the storm as they faced it before!
For where there are Irish there’s loving and fighting,
And when we stop either, it’s Ireland no more!
Ireland no more!

stampIn 1995 Belgium and Ireland put out a joint stamp commemorating 250 years since the Battle of Fontenoy in 1745. The Irish Brigade, including the Regiment Lally, suffered many casualties in the battle at the Bois de Barry (or Barry Wood, as Kipling calls it in the poem above).

The stamps depict the memorial to the Irish Brigade in the village of Fontenoy, and also two Irish soldiers (though neither, unfortunately, are members of the Regiment Lally).





The Regiment la Marck was one of the German regiments in French service, and was initially raised in 1682. King Louis paid them and furnished them with clothing, arms and ammunition.

German regiments generally wore lightish-blue coats, but were otherwise armed and equipped as French infantry.

My source for painting these figures was the illustration in John Mollo’s Uniforms of the Seven Years War 1756-63. I especially liked the combination of yellow and light-blue, which makes a nice contrast against the other colours in my army so far.

The drummer is wearing a white coat with black and white chequered lace.


In the back rank you’ll notice that Grenadier Hans Gruber is building up some Dutch courage just before the battle!

My next posting will cover the guards. And don’t forget to visit my other On Parade! postings, in which I’m gradually doing inspection parades of every army in my wargaming collection.

On parade: French white-coats of the 18th century



The French army of the mid-eighteenth century was one of the most colourful: white-coated infantry, foreign regiments in blue or red, light infantry in green or beige, cavalry in all sorts of hues!  They might not have been the most effective army of the period, but – mon Dieu! – they dressed well.

In my previous ‘On Parade’ postings, a series in which I intend to inspect every figure in my collection,  I’ve covered  my Napoleonic and fantasy armies. Now it is the turn of the eighteenth century French, the first historical army I painted when in the late 1990s I  returned to the hobby of wargaming after a twenty year hiatus.

This army is mainly made up of 28mm Front Rank figurines. The 24-figure infantry regiments and 8-figure cavalry squadrons are not based for any particular rule-set.


It is many years since I’ve had this army out on the table. When I began setting them up for my inspection parade today, it immediately came back to me just how charming Front Rank figures are. They might not be the most anatomically correct (the large heads for example), but there is just something about them that captivated me back in the 1990s, and repeated that feeling today in 2019.

True, I do also like the more correctly proportioned figures from some other manufacturers’ ranges. But the ‘chunky’ style of the Front Rank figures in my opinion gives them an appealing toy-soldier look that I just love.  


So let’s start the inspection parade! I’m going to break this up into several postings over the next week or so, starting with a march-past of the French infantry in their pearl-grey uniforms. Don’t forget to click on the pictures if you want to enlarge them for a closer look.





The uniform of the Regiment Brie is the basic French soldier’s white coat, with red cuffs and a red waistcoat. I painted the uniforms white, then covered them with a black ink wash, then dry-brushed with white again to bring up the highlights.

This regiment was made up from some Front Rank models that I bought second-hand, and includes a bigger range of uniform and pose variations than most of my other regiments. You’ll see several soldiers wearing the colourful ‘pokalem’ hats, as well as a few bare-headed.




This was one of the regiments sent to America to take part in the French and Indian Wars. I particularly liked the combination of red and blue in the uniform (waistcoats were red, while cuffs and collars were blue), which was the main reason I chose to model this regiment!

As with many of my other units, the drummer wears the royal livery, consisting of a blue coat with red and white lacing.

This regiment features one of my favourite figures made by Front Rank, the red waist-coated officer carrying a spontoon (to the left of the drummer in the pic below). I’ve also included another officer, whom you can see to the right of the flags, hat and sword in hand, exhorting his troops to advance.

The flag is a rather sombre brown and black, which is certainly not the brightest flag on the battlefield, but is still very distinctive.




Regular French infantry regiments were mainly dressed in white uniforms, with various combinations of coloured cuffs and collars. I decided to model the Belsunce Regiment (also known as the Monaco Regiment) for no reason other than the fact that I liked the violet colour of their cuffs!

The figures on the left are wearing bearskin caps because they are the grenadier company. Grenadiers were also permitted to grow moustaches, which are portrayed on the models.

Like the Regiment de la Sarre,  to the right of the flags you can once again see my favourite model of the officer with his spontoon – he looks so “eighteenth century” in his clothes and pose!

The simple but colourful yellow and violet flag is by GMB Designs.





This next regiment hails from a slightly later period of the eighteenth century than the remainder of my French army. My miniature Regiment Soissonnois is portrayed in the uniforms they would have worn when they were part of the Comte de Rochambeau’s expeditionary force during the American War of Independence. Several French regiments were involved in this war, and played a major role in the victory at Yorktown in 1781.

Some of the uniform differences from my earlier Seven Years War French regiments include a more modern cut to the coat, white shoulder straps for carrying the cartridge box, higher tricornes with no coloured edging lace, back-packs with shoulder straps, gourd-shaped water bottles, and different facing colours.

French regiments at this time had done away with the bearskins for their grenadiers, but American eyewitnesses state that the Soissonnois had somehow kept theirs, making an imposing sight.

The range of AWI miniatures produced by Front Rank are beautiful figures. I like the way they supply several head variations for the basic fusilier (some with chubby faces, some with slightly tilted hats and younger faces, and a couple turning to the side). I also added a bandaged figure and one in the act of being shot (it is a bit hard to see in the photo, but the sculptor has made a beautiful job of the casualty’s hat flying off his head)





The Regiment de la Reine marked a new direction for my French army. Unlike the remainder of all my units, this regiment is not made up of my beloved Front Rank figurines, but instead were from a range of 30mm figures sculpted in anatomically-correct proportions by a short-lived french manufacturer, Capitulation Figurines, now sadly long gone.

Capitulation set their range during the War of the Austrian Succession, which is a little earlier than the era depicted by the remainder of my army. But I chose to paint them in the later uniforms of the Seven Years War. I selected the Regiment de la Reine because of its colourful combination of red cuffs and blue waistcoats, and also the flag with the interesting crowns in the white cross.

These figures are markedly bigger than those of Front Rank, so there is no way that this regiment could ever fight alongside the rest of my army. However, at the time a friend was building up a collection of ‘Last of the Mohicans’ figures made by Redoubt, which my Capitulation figures didn’t dwarf quite so much. Thus my Regiment de la Reine was intended to fight in skirmish games set in New France (though in the end I don’t recall that we ever had a game with them).

The real regiment was issued with a slightly different uniform when it served in America. But as these figures are equipped for the European theatre of war, rather than America (swords instead of tomahawks, and the officers with spontoons instead of fusils), I depicted them as perhaps they might have looked just as they first landed from France.

I love the character of the command figures. The officers look like real 18th century dandies. I emphasized this by painting them with lavish white wigs, faces with make-up, and even a beauty spot or two!

And if you look closely at the photographs, you’ll see that each fusilier is different. They are in various poses, and have quite individual faces. This makes the whole regiment look very lifelike.

These figures are very authentically equipped, right down to details such as the musket sling on the side rather than beneath.


So, that’s the whitecoats. Next time we’ll take a look at the foreign and guard regiments in my French army. See you then!

Visit my previous ‘On Parade’ postings: