Category Archives: Books

The Enfield Conspiracy

enfield

I’ve just found out that an old police colleague of mine has written a novel set in the Indian Mutiny and the New Zealand Wars.  Ken Brewer’s book The Enfield Conspiracy is available on Amazon here:

I haven’t read the book yet (after all, I only found out about it a couple of hours ago!).  But I’ll be ordering it, as it covers a military period I’m interested in.  

This novel is apparently going to lead on to sequels in which the hero eventually becomes a New Zealand policeman.  I think a colonial whodunnit series based on real history will be terrific.    

During the 1980s, when the New Zealand Police was celebrating its centenary, Ken and I both wrote non-fiction books on the history of our respective police districts.  In today’s belt-tightening financial climate, it is hard to believe that serving police officers were once given time to research and write books!

We were both members of the small police contingent who took part in the Treaty of Waitangi reenactment back in 1990.  So we spent quite some time together immersed in New Zealand history, as seen in the pic below (that’s Ken on the far right, and me on the far left – click to enlarge the picture).

at-sea

I haven’t seen Ken for some years, so hope to renew acquaintanceship with him, now that I see our common interest in history has progressed in his case to novel-writing.   This is something I dearly would have loved to do myself, though I don’t think I’m enough of a natural story-teller.

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Review of Osprey ‘The New Zealand Wars 1820-72′

Osprey NZ Wars

New Zealand, seen by 19th century Europeans as an idyllic land on the far side of the world, was not immune to the scourge of war during the colonial period. This new Osprey Men-at-Arms book describes the fighting that took place between 1820 and 1872 in a series of wars between various participants.

The battles up to the 1840s were mainly inter-tribal, but the European influence of the musket changed the way indigenous Māori had fought each other for centuries prior. This also led to major innovations in the design of their traditional fortified villages (or ‘pa’), which were later to give the British some rather bloody noses.

The ever-increasing encroachment by settlers seeking land brought some Māori tribes into conflict with the British military, though others fought alongside imperial troops. On the British side, the 1840s ‘Flagstaff War’ in the far north was fought by red shell-jacketed soldiers, whilst by the 1860s the troops, now having discarded their traditional red coats for blue jumpers, were engaged in a series of small wars throughout the North Island.

Eventually the British regular troops were withdrawn, leaving the ongoing fighting to colonial New Zealand troops such as the famed Forest Rangers. Ironically, the final stages were fought mainly by Māori soldiers of the Armed Constabulary against Māori warriors.

back cover

Ian Knight is a well-known expert on colonial wars, and has long been interested in the New Zealand Wars (for example, I recently stumbled across his 1980 “Fire in the Fern” series in Military Modelling). His writing style is engaging and tells the complex stories of the wars in a logical manner.

Ian relates a brief history of the wars, and then goes on to describe the Māori warriors who fought on both sides, the British troops, and finally the colonial New Zealand troops.

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The illustrations by Italian artist Raffaele Ruggeri really bring this intriguing series of conflicts to life. I’m particularly impressed with the way he has captured the look of the Māori warriors – their facial features are stunningly lifelike. He has also nicely caught the rather unconventional uniforms of the colonial troops, for example the shawls often worn instead of trousers.

AC2

I’m no expert on the New Zealand Wars, despite wargaming the period. So I am not well-placed to comment on the accuracy or otherwise of this book. However, a chap I know who is very much an expert has given it the once-over, and although he found a number of mainly minor discrepancies, he has stated that “overall, within the constraints of the Osprey MAA format, it is a good summary”.

My own view is that this book is indeed an excellent summary, breaking the complex story into a number of easily read episodes that fit together to paint the whole picture.

The description of the weapons and uniforms of the participants is particularly interesting, especially as many of these were unique to New Zealand.  And Ruggeri’s illustrations are simply the best I’ve ever seen of soldiers of these wars.

When you also look at the recent Ospreys by my friend Wayne Stack on New Zealand troops in World War I and World War II, finally this small country’s colourful military history is making it into the Osprey annals!

So I am happy to thoroughly recommend this book to anyone who wants to know a bit more about these odd colonial wars that occurred in this far-flung outpost of the British Empire.

It also provides exactly the information any wargamer would need to refight the New Zealand Wars, and even more so with Empress Miniatures’ recent wonderful  ranges of 28mm figures for the 1840s conflicts. 

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Another pic from the new Osprey on the New Zealand Wars 1820-72

AC2

Here’s another fantastic piece of Raffaele Ruggeri’s art from the new Osprey book on the colonial New Zealand Wars that I introduced yesterday.   This picture is from Osprey’s advent calendar on their blog.

This pic really shows the unusual ‘shawl’, which members of the New Zealand Armed Constabulary and militia often wore in imitation of their Maori foe (and allies).

The shawls were simply blankets wrapped around the waist, and were much more suitable for scrambling through the rugged New Zealand bush than wearing heavy trousers.

Te Papa Museum B.002029

Te Papa Museum B.002029

Ruggeri’s figures remind me of Don Troiani’s work in their realism, especially the faces and also the texture of the clothing.

This book is going to be fabulous even for just for the pictures alone!

Osprey NZ Wars

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Osprey’s new colonial New Zealand Wars book

Osprey NZ Wars

Excitement in La Casa Arteis today, as the first pic arrives of the cover of the forthcoming new Osprey publication The New Zealand Wars, 1820-72 by Ian Knight, and illustrated by Raffaele Ruggeri. This picture was published today on the Lead Adventure forum (click on the above picture for the fullsize effect).

Frequent visitors to my blog will know of my interest in the colonial New Zealand Wars, and can therefore understand my breathless excitement.

I really like the picture of the Armed Constabulary man on the right of the cover pic. He is in the famous “shawl order” worn by many colonial troops during the latter wars for ease of movement in the rugged bush. Illustrator Raffaele Ruggeri has even depicted him carrying a weapon with Maori carving on the stock.

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Ruggeri’s constable is of course from a later 1860s/70s period than my miniature army from the earlier wars of the 1840s, made up of the recent range of 28mm Empress figures (as in the pic above).

But I do have a handful of older 28mm Eureka armed constabulary (see below). They are quite crudely painted, though, and not a patch on the recent Empress figures of the earlier period. I really do hope one day Empress might add these very different later-period soldiers to their range.

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The Maori figures in Ruggeri’s cover illustration are also wonderfully painted. He has also really caught the different textures and colouring of the Maori clothing and weaponry.

The facial features look just right for Maori, as does the skin colouring and the tattooed moko on their faces.  The expression of the kneeling toa (warrior) is priceless – how often I’ve seen his modern descendants with exactly the same staunch look.  Ironically, the chieftain behind him reminds my of one of my old sergeants in the New Zealand Police!

I’ve already got this book on pre-order. I gather it is out early next year.

Here is Osprey’s official blurb:

Between 1845 and 1872, various groups of Maori were involved in a series of wars of resistance against British settlers. The Maori had a fierce and long-established warrior tradition and subduing them took a lengthy British Army commitment, only surpassed in the Victorian period by that on the North-West Frontier of India.

Warfare had been endemic in pre-colonial New Zealand and Maori groups maintained fortified villages or pas. The small early British coastal settlements were tolerated, and in the 1820s a chief named Hongi Hika travelled to Britain with a missionary and returned laden with gifts. He promptly exchanged these for muskets, and began an aggressive 15-year expansion.

By the 1860s many Maori had acquired firearms and had perfected their bush-warfare tactics. In the last phase of the wars a religious movement, Pai Maarire (‘Hau Hau’), inspired remarkable guerrilla leaders such as Te Kooti Arikirangi to renewed resistance. This final phase saw a reduction in British Army forces. European victory was not total, but led to a negotiated peace that preserved some of the Maori people’s territories and freedoms.

Puke Ariki Library, PHO2002-405

Puke Ariki Library, PHO2002-405

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New Zealand Wars book review and excerpt

I’ve read quite a few modern books on the history of the New Zealand Wars of the 19th century.  While erudite and informational, they are often – to be honest – quite dry reads.  They give the facts, the theories, the information, the reasons – but they  fail to depict the sheer excitement, terror and intrigue of these odd wars.

That was until I recently read Peter Maxwell’s Frontier – The Battle for the North Island of New Zealand 1860-1872.  I had heard of this book before – it is regarded as quite controversial because Maxwell lets fly at some of the modern revisionist historians, particularly James Belich, author of The New Zealand Wars.    But I had never read Maxwell’s Frontier myself.

Then the other day I finally got hold of a copy, and – boy – did I realise I had missed something by not reading this wonderfully written and profusely illustrated book until now.   Yes, it does indeed throw pot-shots at Belich and others (and, in many cases, these pot-shots hit their targets fair and square).

But whether you agree or disagree a with Maxwell’s dissection of revisionist histories, one thing that is hard to disagree with is that he brings the New Zealand Wars to life much more vividly than any other modern historian ever has (and I even include Belich’s TV series in this).

By reading Maxwell’s book, for the first time I could really sense the struggle, the misery, the excitement, the guts, of those brave soldiers and warriors battling in the bush and fern.  Stories that are sketched in a few dry sentences in other historical books, Maxwell fleshes out into exciting stories that you can really see in your mind’s eye.

And not only that.  Maxwell has a gift for sorting events into order and matching them with other events, both elsewhere in New Zealand and even overseas.  In this way, he sews the rather piecemeal threads of the New Zealand Wars together so you can see how the various events influenced and flowed into each other.

Another interesting aspect of this book is that Maxwell dwells often on the many Māori who fought alongside the British and colonials for various reasons.   These warriors often receive minimal or scathing attention in other books, so it is interesting to see their perspective presented with equal weight to the Māori warriors of the other side.

If there is only one disappointment (for me) in this book, it is that it only covers the wars of the 1860s and 1870s.  My particular interest is the 1840s wars, so to me this is a shame.  But, nevertheless, Maxwell makes the 1860s wars such an exciting and colourful story, I do hope that Empress Miniatures will venture into that conflict one day.

I thoroughly recommend Frontier.  Just to prove my point about how enthralling Maxwell’s book is, here (with his permission) is an excerpt covering the fight at Pukekohe East Church in 1863.

The Fight at Pukekohe East Church

Excerpt from FRONTIER – The Battle for the North Island of New Zealand 1860-1872

by Peter Maxwell

The Presbyterian church at Pukekohe East had been consecrated six months earlier. It stands in a clearing in the bush at the edge of a flat-topped ridge. Immediately behind the building the land drops away steeply for several hundred feet, offering a prospect across rolling country to the summit of Pukekohe hill, four miles distant to the south-west.

Each day the ridgetop clearing grows larger as trees are felled and trimmed and the logs added to the wall. By early September the clearing extends to perhaps an acre but it is still littered with branches and tree stumps. The church is garrisoned by seventeen men of the Forest Rifle Volunteers, Sergeant Perry in command. Each man is armed with an Enfield with fixed bayonet, and has the makings for sixty cartridges.

A section of the garrison continues the work of tree felling while others deepen the trench and throw the dirt hack against the logs – it is warm work and the pace is unhurried. Each morning fires are lit to consume the brush and boil the billies. They burn until dusk, sending columns of smoke above the treetops. At times the smoke thickens and drifts into the bush, putting the occasional wood pigeon to flight. The settler/soldiers toiI with axe and spade – their rifles are stacked vertically in stands of three, never more than a few paces distant. Perry has ordered rifle slits to be cut into the wall, a tedious job involving the hewing of matching half slots in separate logs, then the careful stacking of them to ensure that the holes align.

At times, Lieutenant Lusk rides by on his routine patrols through the Pukekohe area. The Lieutenant regards the church’s defences with a critical eye – the rifle slits he approves of, but the walls are too low. He would prefer them shoulder height. He orders two more rows of logs to be added and the ditch deepened further.

At dawn on Sunday morning the 13th of September after a night voyage downriver three canoes each carrying between sixty and seventy Waikato warriors are beached near Tuakau. The canoes are dragged up from the bank to e concealed in the bush for the river is now regularly patrolled by British craft. The raiders are met by warriors whose tribe has just been evicted from its land.  They guide the newcomers to the Alexandra Redoubt but there is no real battle plan – the fort is fired upon from the bush edge. The garrison returns the fire. An hour long gunfight ensues which produces few casualties for both parties are well protected behind timber. Eventually the raiders draw off to the north-east, crossing the slopes Pukekohe hill in search of easier pickings.

The raiders spend Sunday night in the bush but they are on the move again at first light. By 8am they have silently ringed the Pukekohe East church. The garrison is slowly coming to life, the fires have been rekindled and a cooked breakfast is underway.

The men of the working party are unaware that almost 200 men surround them. The annihilation of the garrison is seconds away – a coordinated charge will overwhelm them. Then a single shot rings across the clearing. Perhaps a settler saw a movement at the bush edge and loosed his Enfield at it – perhaps an attacker stumbled and triggered his gun by accident.

Breakfast is abandoned. The settlers snatch their rifles and scramble back over the wall. For those critical few seconds the attackers are non-plussed. The pakehas have vanished as quickly as rabbits down a burrow. Nobody moves. Then a row of bayonets slides out through the rifle slits. “Wait for the order..” Perry commands “..then fire independently.”

The assault comes in a rush. “Wait until I shoot…” Perry calls again. At thirty yards his Enfield cracks and the first warrior drops. The log wall is lit with individual flashes. The warriors shoot directly at the stacked trunks, their shotgun balls thudding into the timber – scattering chips of bark. The first wave of attackers surges up to the ditch, but men are falling.

There is something wrong, some lack of will. Two hundred against seventeen, yet the attack falters. There is over excitement, some type of confusion, of ill discipline. Warriors, whether in bravado or light headedness, stoop to gather up the breakfasts abandoned by the settlers. They are no more than fifteen paces from the defenders’ rifle muzzles. Point blank. Three are immediately shot down. Others throw themselves at the wall but they are bayoneted about the head and shoulders as they attempt to climb. The settlers are fighting for their lives, focused on loading and shooting, but the attackers seem to be uncertain of their goal – they lack decisiveness.

In minutes the assault has failed. The warriors fall back to take cover behind the tree stumps. They have suffered nearly twenty casualties with nothing to show for it. Sporadic gunfire continues, but Perry has his men controlled. He moves along the wall counselling each in turn. Take your time he instructs. “Aim your shots, don’t waste them.”

In the next half hour fifteen more warriors are shot dead.

A woman, Rangi-rumaki, shotgun in hand, a bandolier of cartridges around her waist, exhorts the warriors to attack again. She exposes herself recklessly to fire but there is no second charge.

Now a curious event occurs. Unseen by the defenders a white wood pigeon swoops across the clearing to land on the church roof. A symbol – the Maori are convinced that the bird has come to protect the pakeha. A chief orders that it be killed. A hailstorm of fire straddles the pigeon – the church roof is sieved, splinters of match lining shower down inside but the bird remains unharmed. It struts along the ridgeline pursued by shot. The defenders are mystified – they can only guess at why, despite the closeness of the battle, their enemies’ gun barrels are angled skywards.

But while the attackers concentrate on killing the bird the settlers concentrate on killing them. Joseph Scott and James Easton, holding the right front of the stockade, take the largest toll. The attackers’ casualty list climbs steadily into the thirties.

Cowan [an earlier historian] reported: ‘Hour after hour the firing continued in the smoke-filled clearing. The powder grimed garrison, with smarting eyes and parched throats, stuck manfully to their posts, firing with care for their ammunition was running short..’

At 1pm the first reinforcements arrived. Lieutenant Grierson and 32 militiamen had run across country from Ramarama. They bellied up through the bush, loosed a fusillade at the nearest warriors then sprinted across the clearing under fire to scramble over the wall. Once the reinforcements regained their breath and reloaded the gunfight intensified.

In 1920 Cowan interviewed a veteran of the battle, Te Huia Raureti, at his home on the Puniu river. By mid afternoon Huia told him, the men of his raiding party had suffered sixty casualties, forty of whom were dead. (Cowan I – V. 282)

But the fight was not yet over. There were still more than 100 warriors surrounding the church, and still shooting. A second detachment of militia arrived. Rather than making a run for the building they went to ground along the bush edge. The fighting was close for one man, shot in the leg, was tomahawked where he lay. The militiamen crouched behind stumps and fallen logs, adding their fire power to the defence. The attackers reacted by shifting their positions, spreading out into a semi-circle through the bush on the opposite side of the clearing.

At 4 o’clock, after being summoned by civilians who had heard the distant shooting and ridden for help, 150 British soldiers stormed into the clearing. They had marched from the new Tuakau redoubt seven miles to the south-west. During this final assault three British soldiers were killed outright and eight wounded, but their charge was carried.

The Forest Rifles lay their Enfields down. They have been on their feet shooting for eight hours. Between them they have fired over 1000 rounds, each load ram-rodded home from the muzzle; powder charge, patch and ball. Not a single man has been touched by a bullet. Their church walls are punctured by a frieze of holes at head height, just above the level of the logs, leaking powdered gravel. Inside, the building is a shambles of broken glass and splinters. Dust motes circle in the shafts of light slanting down from the bul]et holes in the ceiling.

Frontier may be ordered direct from Peter Maxwell, RD 2, Waihi 3682, New Zealand. Email: nzguns@clear.net.nz

NZ$46.50 per copy, postage included within New Zealand. Payment may be made by cheque, or by Visa or Mastercard.

Photo of Pukekohe East Church as it stands  today by Peter Maxwell.

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‘Colonial New Zealand Wars’ book seeking good home

Over the weekend I bought a first edition Colonial New Zealand Wars book in an online auction at a very reasonable price.   I actually already own a copy of this book,  so I bought it purely to pass it on at cost to another enthusiast for the period, as I know it is usually quite hard to find at a reasonable price.


This is the classic book by Tim Ryan and Bill Parham that contains all the information that any wargamer would ever want  about the history, units and uniforms of the 19th century wars in New Zealand.

Please note that this is the first edition, which doesn’t contain the colour photos of reenactors that only appeared in the second edition.  But nevertheless it is an important source for gamers of this period.

I haven’t yet received the book from the seller, but it is said to be in good condition.

So, if you are interested to buy this book off me, please comment on this posting.  The cost of the book will be what I paid for it (only $NZ25!!!), plus any postage to get it to you.

Rather than making it first come, first serve (which I think is unfair to those on the wrong side of the time zone!), in a couple of days I’ll do a draw of those who have indicated in the comments to this posting that they are interested.

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Three great Maori Wars/New Zealand Wars novels

I’ve been mesmerised recently by a series of novels that I’ve often looked at in the library, but had never got out before. Until recently, that is … and now I’m hooked. These books are the New Zealand Wars trilogy by Mauriuce Shadbolt (1932–2004), a triptych of historical novels set during the New Zealand Wars of the 1840s and 1860s.

The House of Strife is actually the last written of the three books, but is set earliest, so I’ll mention it first. The story takes place during the 1845–46 rebellion of Hone Heke. The story covers the whole campaign, from Heke’s bloodless flagpole-cutting sorties that started it all, through to the bloody Imperial assaults on heavily-defended Maori pa (fortifications). This is my favourite book in the series, partly because its setting in the beautiful Bay of Islands is one of my favourite spots in New Zealand, partly because the story and characters are so fascinating, partly because the campaign was such a bungling fiasco at times, and partly because it is a period I am collecting miniatures for!

This is the third book in Shadbolt’s “Maori Trilogy”, and is set in the 1840s when New Zealand was annexed by Queen Victoria. It combines historical detective work with humour and a host of eccentric characters.

Season of the Jew (1986) focuses on Te Kooti’s Poverty Bay campaigns of the 1860s. This book starts rather slowly, but picks up once Te Kooti and his band escape from their island prison and ravage the bay area, well and truly bloodying the noses of British and colonists alike. The story is especially strong in describing the siege of Te Kooti’s hill-top pa on Ngatapa peak.

Based on historical fact, this is a wonderful story of little-known events and characters in the dramatic 19th-century colonial history of New Zealand. Lieutenant George Fairweather, late of her Majesty’s British Imperial Army, has resigned his commission and journeyed east to Poverty Bay, seeking new vistas to paint and hoping to resume his relationship with a half-caste Maori woman.

Ever on the outside looking in, a man who shies away from permanent ties, Fairweather is enlisted in the defense of the colonists, against the rebel Kooti and his followers, who liken themselves to the Israelites cast out of Egypt, led by a new Moses. Tough and tragic, this novel powerfully explores some universal themes: the futility of war and the rights of the conqueror and the conquered. It deserves a wide audience. Highly recommended.

Lydia Burruel Johnson, Mesa P.L., Ariz.

Monday’s Warriors moves to Taranaki, also in the 1860s, tells the story of the real-life American rebel Kimball Bent, who deserted from the 57th Regiment and eventually joined with renowned Maori fighting chief, Titokowaru. In this story Bent reckons he fires the last shot of the American Revolution!

“Between one luckless general and the next there is a fleck of fable in history’s eye called Kimball Bent.”

What a fleck and what a fable! Frontier tales don’t come much wilder or woolier than this rollicking, riveting story of Kimball Bent, born in Eastport, Maine, and dragooned into Her Majesty’s army in the middle of the last century. Sent off to subdue the restless Maori in distant New Zealand, Bent finds himself at the wrong end of too many court-martials and deserts his regiment, becoming the unlikely hero and chief strategist of a Maori band that fights the British to a standstill in what proves to be the bloodiest and most terrifying of the colonial wars.

Most remarkable is that this story is true. Titokowaru and his fierce and feuding lieutenants did humble the English armies that had been sent to snatch their land, and they were led by this slightly befuddled Yankee, who was fighting (and mostly winning) the American Revolution all over the far side of the globe.

A Pakeha (European) character is central to each novel: soldier and milita-man George Fairweather in The Season of the Jew, deserter Kimball Bent in Monday’s Warriors, and the split personalitied potboiler-writer Ferdinand Wildblood/Henry Youngman in The House of Strife .

Shadbolt’s writing reminds my of Patrick O’Brian in his Napoleonic Aubrey/Maturin sea stories – a mixture of excellent word-smithing, vivid imagery, period detail and delightful humour. From a wargamer’s point-of-view, the novels provide lots of scenario ideas. And Shadbolt appears (from my limited knowledge) to drop only the very occasional military detail clanger.

As The Oxford Companion to New Zealand Literature says, “together the three volumes offer a revised version of the New Zealand Wars. More importantly, they remind us that history is above all else story, and that there are many versions of it. Shadbolt’s work to date now presents a distinctive version of the whole of postcolonisation New Zealand history.”

There was a  reprint of all these novels in one giant paperback.

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Maurice is coming!

Maurice is a delightful combination of tabletop miniatures rules for historical and fictional battles, a limitless campaign system that requires virtually no math or paperwork, and a role-playing game in which the “characters” are officers, units, and armies, whose personalities you create, and whose fates you manage from battle to battle across wars and decades.

This 18th century ruleset by Sam Mustafa looks intriguing, and not just because of the unusual name.  The card-driven game mechanism looks fun and challenging at the same time. The possibilities for ‘imagi-nations’ look particularly interesting.

And, finally, an eighteenth-century publication that highlights (in its title and in its evident format) the flamboyantly rococo French of the period, rather than Frederick and his Prussians!

You can download the flyer (which includes information about the game-play system, as well as some sample card graphics) here:


http://www.sammustafa.com/honour/wp-content/uploads/downloads/2011/10/Maurice-Flyer.pdf

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War comics – Napoleonic style!

I’ve just  stumbled across a site of Spanish war comics, portraying stories set during the Napoleonic Wars.  

One particular comic, called Soldados, really tickled my fancy.  I didn’t have to be able to read Spanish to get the sense of it, and particularly the rather apt (for our hobby) punchline.  You can download it as a PDF from here:


http://www.forohistoria.com/tebeos/soldados.pdf

Here’s a sample of one of the pages from Soldados.  As you can see, the artwork is of a very high standard – certainly much more detailed and ‘artistic’ than the British WW2 war comics I used to devour avidly as a kid. 

By the way, if those dragoons in the above picture had been from the 12th rather than the 6th, that trumpeter could’ve been my great-great-great-great-grandfather  who really was the staff trumpeter in Napoleon’s 12th Dragoons.

Here’s one more page.  I especially love the doughty French grenadiers!

And here’s another of the comics, this one telling the story of the Battle of Vitoria:
http://www.forohistoria.com/tebeos/batallavitoria.pdf

This is in a totally different style from the previous comic, but just as artistic.  And it would also be a great source of colour ideas for painting Peninsula War figures.Check out the sample page below, for example. 

DIBUJANTES: José Luis Salinas y Adolfo Usero
GUIÓN: Felipe Hernández Cava
Ikusager Ediciones Vitoria 1985

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Top 5 reasons to buy ‘The Last Argument of Kings’

Someone recently asked on the Black Powder Wargaming YahooGroup for the top 5 reasons to buy Warlord Games’ new The Last Argument of Kings supplement to their Black Powder rules, which I reviewed in my last posting? Well, for me they are:

  1. Inspiring – gorgeous photos, and written with a real sense of enthusiasm
    about gaming the period.
  2. Entertaining – it is actually fun to read as a book.
  3. Enlightening – I didn’t know much about the whole period, even though I have armies for part of it. OK, so the book may contain a few historical gaffes (by some accounts, anyway).  But overall I’ve got a sufficiently good overview from it.
  4. Good general gaming ideas – scenarios of various types and sizes, putting on big games, running campaigns.
  5. Interesting period-specific rules amendments – I put this relatively low on my list, because I don’t get to play many wargames, and so for a rules book to be worth me purchasing, it has to be much more than just a set of rules. It needs to do all the above points as well.

There’s another somewhat more vague reason too – the attitudes of the authors
themselves. I like their take on gaming. I like their models and terrain. I
like their sense of fun. I feel like I personally know them, even though we’ve
never met. So I would love to play wargames with them. But I can only do this
vicariously through their book.

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